LL: I'm more than happy to be the older woman in that situation. I've never had a relationship with a younger man, so it was fun. Besides, I was Topher Grace's first sex scene. He was scared to death, which I found quite flattering.
If there is a common strand to her roles it is their marginality; time and again she gets at the subtle agonies of women who are failing but not spectacularly so. The movie for which I remember Linney best is The Savages , from , in which she played a dismal, angry, disappointed woman trying to get her aged father into a home. At one point, she pretends to her brother, played by Philip Seymour Hoffman , that she has won a Guggenheim fellowship — and Linney is so convincing, so tortured in her dogged defence of the lie, even as all those around her see through it, that even now I blush to remember those scenes. And we became very close. It was heaven.
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Interviewed by Stephen Applebaum. She now tells you how, in playing an anti-death penalty activist in Alan Parker's "The Life of David Gale", she got to tackle one of the toughest situations of her acting career. Was the fact that this film is implicitly anti the death penalty an influence on your taking the role? It wasn't important at all. But it's difficult to explain because there are always circumstances.